I hold the prince of Highlife title –KK Fosu
AT the recent Amakye Dede at 50 Years of Music concert in London, the air was alive with nostalgia and excitement as musician KK Fosu boldly dubbed himself the ‘Prince of Highlife’.
In a genre rich with legends and a legacy that pulses through the heart of Ghanaian culture, one could easily argue that after decades of chart-topping hits, claiming the title of ‘king’ wouldn’t just be fitting—it would be expected. Yet, KK Fosu chooses humility over ego, honouring the titans who paved the way for artistes like him.
Revealing the depth behind his self-appointed title to Graphic Showbiz in an interview on June 21, the Anadwo Yede hitmaker said: “The title of prince reflects both respect and humility”.
He understands that the true Kings of Highlife—those who continue to shape the genre—are still very much alive and relevant, teaching him and his contemporaries invaluable lessons with each note they play.
“There are kings in the Highlife world who are still active and relevant. They are our inspiration, and we keep tapping into their knowledge. I mean, I am still learning from them, so how can I call myself a king?” His words resonate like a powerful melody, striking the chords of respect for the icons who came before him.
For KK Fosu, Highlife transcends mere entertainment; it is the very lifeblood of Ghanaian identity. “Highlife isn’t something to take lightly or see as a myth. Highlife is real. It’s our life, culture, our root,” he passionately declared, urging the next generation of musicians to honour its essence while innovating to ensure its survival in a world where the music scene was ever-evolving. (Read Starting music late was a blessing — Tiwa Savage)
“We cannot afford to lose our way. And the only way to survive in this space is to create good music and listen to the legends who walk among us,” he added.
His dedication goes beyond admiration—it's a battle cry. “My signature line is ‘we don’t stop,’ and that’s more than a motto; it’s my mantra,” he affirmed.
