People & Places: Klama Dance
Among the Krobos and Dangme people of the Eastern and Greater Accra regions, Klama is a rich cultural treasure that has thrived for centuries.
Klama, a sacred folk music and dance, is often confused with dipo, a traditional puberty rite, but they are distinct.
While dipo is a specific ritual performed for young girls transitioning into womanhood, Klama is a broader cultural expression that encompasses music, dance and celebration.
This age-old tradition is believed to have emerged and evolved as the Dangme people migrated from the eastern section of West Africa to their present locations, shaping their unique cultural identity.
Klama is more than just a form of entertainment; it's a way to give cultural significance to important events.
From joyous family gatherings and anniversary celebrations to marriage and naming ceremonies, enstoolment and outdooring of traditional leaders and larger cultural festivals, Klama is an essential part of Dangme cultural life.
Even in sombre events such as funerals, Klama can be performed to pay tribute to departed leaders and dignitaries.
The Klama rhythm is a blend of sounds from a gong, casaba or gourd and a set of three drums: Glɛ or Miɛ gaga, Oklema and Opiti or ‘kpɛti miɛ’.
The choice of songs depends on the occasion, with festive songs extolling virtues and positive themes, while funeral songs evoke pensive sadness.
The lyrics are rich in figurative language, idiomatic expressions and innuendos, making Klama a true reflection of Dangme culture.
It is a gender-neutral dance, with both males and females performing to the same rhythm.
However, the gestural movements differ.
For females, the dance is characterised by slow, graceful and rhythmic body movements, with the left arm raised horizontally, a little above the waist level and the wrist wriggled mildly in tune with the beat, while the right arm, which points downwards, swings gently in conformity.
In contrast, the males' version requires a more complex combination of rapid, sprightly and dexterous footwork or shuffling of feet.
The dance can be performed in groups or solo, depending on the occasion and the number of performers.
Despite the impact of Christianity and modernity, Klama remains a vital part of Dangme cultural life, particularly in Krobo. Efforts to preserve and promote this tradition are crucial to ensuring its continued relevance and significance for future generations.
