Otumfuo's customised Caveman clock sells for GH¢1.5m to Nick Danso Adjei
A bespoke gold clock created in honour of the Asantehene has been sold for GH¢1.5 million, highlighting growing interest in locally crafted luxury pieces rooted in Ghanaian heritage.
The artwork, designed by Caveman Watches, was unveiled during activities marking the 27th anniversary of Otumfuo Osei Tutu II on the Golden Stool. It was acquired at auction by businessman Nick Danso Adjei.
Founder and Chief Executive Officer of Caveman Watches, Anthony Mensah Dzamefe, said the piece was conceived as a tribute to the monarch’s enduring leadership and influence.
“We are honoured to be part of this celebration with our craft, paying tribute to the legacy, leadership and timeless influence of His Majesty through a piece that reflects both heritage and excellence,” he said.
The customised clock, which doubles as an art installation, is mounted on a polished wooden panel and features multiple precision-crafted clock faces arranged in a structured format. Its design blends modern aesthetics with traditional symbolism, reflecting elements of Asante culture.
Crafted from approximately 27 ounces of gold, the piece incorporates a kente-inspired mosaic pattern rendered in bold geometric forms, symbolising royalty, unity and identity. The lower section includes aligned clock faces intended to represent continuity and the passage of time, in reference to the Asantehene’s long reign.
The unveiling formed part of broader commemorative events celebrating nearly three decades of Otumfuo Osei Tutu II’s leadership, which has been widely associated with peacebuilding, cultural preservation and national cohesion.
Caveman Watches, established in 2018, has grown from a modest watch repair venture into one of Africa’s emerging luxury brands, positioning its products as expressions of African identity and craftsmanship. The brand has attracted a high-profile clientele, including political leaders, entertainers and global figures, as it expands its footprint on the international market.
The sale of the Otumfuo-inspired piece is seen by industry observers as a signal of increasing recognition for indigenous luxury brands, as well as a reflection of the intersection between culture, art and high-value design in Ghana’s evolving creative economy.
