Dancehall scares Ambolley

 It gets massive airplay these days and artistes are clawing at each other over who is king and queen of the genre but  veteran  act, Gyedu Blay Ambolley, says he is afraid dancehall is killing initiative  in our young musicians.   

He feels  Ghanaian music is  on its death bed  now because the current young crop of artistes do not produce long-lasting songs or  material capable of crossing our borders  but are only  eager to  copy foreign ideas.

In an interview with Showbiz, Ambolley  said dancehall in particular,  has virtually taken over the music scene here though it is does not originate from Ghana.

‘‘We are copying too much from outside instead of doing our own. Every time you listen to the radio now, it is dancehall being played and praised. We have so much variety of rhythms  from the different regions in this country  but we are not allowing the world to know our music,” Ambolley stated.

The Simigwa Man from Asamansudo in the Western Region is not the only ‘senior’ musician in recent times to have expressed dismay at the drift of contemporary music in this country.

Producer/engineer, Zapp Mallet; Grammy nominee,  Rocky Dawuni and ‘Show Master of Africa,’ Bob Pinodo are among those who have called for more ingenuity on the part of our young musicians.

To them, a more judicious blend of indigenous rhythms with borrowed ideas would serve us better than outright imitation of  imported stuff.

‘‘When you go to America, they have hip hop and other home-grown styles, Jamaica has reggae and dancehall, South America has salsa. West Africa also has highlife but we are not doing it properly because we are busy copying and copying wrongly too.

Why can’t we  take the dancehall we have come to love and fuse a bit with  our own local flavour to make it more Ghanaian? We can create something out of the foreign styles that will be unique to us,” Ambolley pointed out.

He said musicians from other places in Africa  are making strong impact in foreign  markets because they stick to their unique styles and only add flavours from elsewhere.

According to Ambolley,  he regretted doing collaborations with some young Ghanaian artistes  because they loved the fame aspect more than the hard work  needed to succeed.

‘‘These young artistes don’t want to invest time into making quality music. They are more into being popular so they go  to the studio and bang out  five or more songs in a day, not bothering about  the real quality of what they are doing. It’s not done like that.

“Bob Marley has been dead for years now but his songs are still relevant because he paid appropriate attention to  form and content. When you  compete with others, you must come forward with solid material.”

 To him, being a musician is not just about going to a studio for someone to do ‘cut and paste’ beats for some words and raps to be slapped over it.

“You cannot call yourself a musician if that is all you know.”

  The veteran singer who is preparing to release a new album this year, added that instead of growing and making real impact on the international scene, Ghanaian music is rather retrogressing.

“Nigerians looked up to us for musical innovation but they are the  ones  making serious headway now. You  feel their culture  in their songs while we are happy speaking Jamaican patois  and being ‘champions’ only  in our own backyard,” Ambolley said.